5 Frames… Of Icelandic industrial edge on Fuji Pro 400H and a Mamiya 645 Pro (120 Format / EI 400 / Mamiya Sekor-C 80 mm f/2.8) – by Bram van der Horst

5 Frames… Of Icelandic industrial edge on Fuji Pro 400H and a Mamiya 645 Pro (120 Format / EI 400 / Mamiya Sekor-C 80 mm f/2.8) – by Bram van der Horst

In between covid lockdowns, my girlfriend and I had the chance to visit Iceland. We went lightweight and camped everywhere. Lightweight except that I had brought my digital Pentax SLR in conjunction with two film bodies: the Mamiya C220 6×6 format TLR and my Mamiya 645 Pro 6×4.5 format SLR. Although I regretted the extra weight, hassle, and comments from my significant other about the amount of camera’s at the time, I’m now quite content.

Continue reading 5 Frames… Of Icelandic industrial edge on Fuji Pro 400H and a Mamiya 645 Pro (120 Format / EI 400 / Mamiya Sekor-C 80 mm f/2.8) – by Bram van der Horst at EMULSIVE.

In between covid lockdowns, my girlfriend and I had the chance to visit Iceland. We went lightweight and camped everywhere. Lightweight except that I had brought my digital Pentax SLR in conjunction with two film bodies: the Mamiya C220 6×6 format TLR and my Mamiya 645 Pro 6×4.5 format SLR. Although I regretted the extra weight, hassle, and comments from my significant other about the amount of camera’s at the time, I’m now quite content.
Continue reading 5 Frames… Of Icelandic industrial edge on Fuji Pro 400H and a Mamiya 645 Pro (120 Format / EI 400 / Mamiya Sekor-C 80 mm f/2.8) – by Bram van der Horst at EMULSIVE.Read More5 Frames…, Articles, Bram van der Horst, Fujifilm, Fujifilm FUJICOLOR Pro 400H, Mamiya, Mamiya 645 Pro, Mamiya C220 ProfessionalEMULSIVE

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