5 Frames… Of ILFORD SFX 200 Developed in Cinestill’s Df96 monobath with a Fuji GS645S and a red filter – by Ed Steinerts

5 Frames… Of ILFORD SFX 200 Developed in Cinestill’s Df96 monobath with a Fuji GS645S and a red filter – by Ed Steinerts

The Fuji GS645S Professional was a camera I had an interest in ever since it was introduced back in 1984. It was a nice medium format camera that’s ready for anything with its “cow bar” that wrapped around the lens. The camera has a fixed 60mm f/4 lens with rangefinder focusing. Holding the camera normally, the frame is in portrait orientation. The camera has a built-in light meter with simple LED indicators.

35 years later I finally picked one up via eBay.

Continue reading 5 Frames… Of ILFORD SFX 200 Developed in Cinestill’s Df96 monobath with a Fuji GS645S and a red filter – by Ed Steinerts at EMULSIVE.

The Fuji GS645S Professional was a camera I had an interest in ever since it was introduced back in 1984. It was a nice medium format camera that’s ready for anything with its “cow bar” that wrapped around the lens. The camera has a fixed 60mm f/4 lens with rangefinder focusing. Holding the camera normally, the frame is in portrait orientation. The camera has a built-in light meter with simple LED indicators.
35 years later I finally picked one up via eBay.
Continue reading 5 Frames… Of ILFORD SFX 200 Developed in Cinestill’s Df96 monobath with a Fuji GS645S and a red filter – by Ed Steinerts at EMULSIVE.Read More5 Frames…, Articles, Ed Steinerts, Filter – Red #25, Fujifilm, Fujifilm GS645S Professional, ILFORD, ILFORD SFX 200, Infrared – Black and White FilmEMULSIVE

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