5 Frames… Of textures at the boatyard on Fuji Pro 400H (120 Format / EI 400 / Mamiya C330 Professional F + Mamiya Sekor 80mm f/2.8) – by Rupert Brun

5 Frames… Of textures at the boatyard on Fuji Pro 400H (120 Format / EI 400 / Mamiya C330 Professional F + Mamiya Sekor 80mm f/2.8) – by Rupert Brun

My Father was a forensic photographer and I first took a picture in about 1968 using his Pentax Spotmatic. When I was a teenager my Father bought a Mamiya C330 Professional F, which I thought terribly old-fashioned, being a TLR and having no exposure meter. I bought a Mamiya 645 Pro and three lenses which was far more modern, having a prism finder and even auto exposure! I eventually sold the entire outfit to buy my first digital camera, with a whopping 5 megapixels.

Continue reading 5 Frames… Of textures at the boatyard on Fuji Pro 400H (120 Format / EI 400 / Mamiya C330 Professional F + Mamiya Sekor 80mm f/2.8) – by Rupert Brun at EMULSIVE.

My Father was a forensic photographer and I first took a picture in about 1968 using his Pentax Spotmatic. When I was a teenager my Father bought a Mamiya C330 Professional F, which I thought terribly old-fashioned, being a TLR and having no exposure meter. I bought a Mamiya 645 Pro and three lenses which was far more modern, having a prism finder and even auto exposure! I eventually sold the entire outfit to buy my first digital camera, with a whopping 5 megapixels.
Continue reading 5 Frames… Of textures at the boatyard on Fuji Pro 400H (120 Format / EI 400 / Mamiya C330 Professional F + Mamiya Sekor 80mm f/2.8) – by Rupert Brun at EMULSIVE.Read More5 Frames…, Articles, Fujifilm, Mamiya C330 Professional F, Rupert BrunEMULSIVE

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