5 Frames… Of the last time we all met on Kodak Pro Image 100 (35mm Format / El 100 / Seagull DF-300A + Seagull-610 MC 50mm f/1.8) – by Rizan H

5 Frames… Of the last time we all met on Kodak Pro Image 100 (35mm Format / El 100 / Seagull DF-300A + Seagull-610 MC 50mm f/1.8) – by Rizan H

The semester was finally over and I had started to commit more of my time to my hobby of film photography. I’d recently got myself my first SLR: a Seagull DF-300A (a licensed third party copy of the Minolta’s X-300), which came with a not-so-sharp 50mm f/1.8 lens (the Seagull-610 MC) but that didn’t bother me too much.

I also got myself some Kodak Pro Image 100 which was a film stock I had not heard of before and the price tag quickly let me know it was for “Professional” use.

Continue reading 5 Frames… Of the last time we all met on Kodak Pro Image 100 (35mm Format / El 100 / Seagull DF-300A + Seagull-610 MC 50mm f/1.8) – by Rizan H at EMULSIVE.

The semester was finally over and I had started to commit more of my time to my hobby of film photography. I’d recently got myself my first SLR: a Seagull DF-300A (a licensed third party copy of the Minolta’s X-300), which came with a not-so-sharp 50mm f/1.8 lens (the Seagull-610 MC) but that didn’t bother me too much.
I also got myself some Kodak Pro Image 100 which was a film stock I had not heard of before and the price tag quickly let me know it was for “Professional” use.
Continue reading 5 Frames… Of the last time we all met on Kodak Pro Image 100 (35mm Format / El 100 / Seagull DF-300A + Seagull-610 MC 50mm f/1.8) – by Rizan H at EMULSIVE.Read More5 Frames…, Articles, Kodak, Kodak Pro Image 100, Seagull, Seagull DF-300AEMULSIVE

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