5 Wide Frames… From a wide lens with Kodak Ektar 100 (35mm Format / EI 100 / Mamiya RB67) – by Jeremy Mudd

5 Wide Frames… From a wide lens with Kodak Ektar 100 (35mm Format / EI 100 / Mamiya RB67) – by Jeremy Mudd

I’ve been shooting a lot of panoramic images over the last few years. There’s something about the wide 1×3 aspect ratio that really appeals to me.

I have a few different cameras that I use for this, but more often than not I am usually shooting them with my Mamiya RB67 ProSD with 35mm film in a 220 back. Shooting with the RB in this manner creates a double-wide 24mm x72mm image, and allows a great deal of flexibility by allowing to carry one camera with several backs for different film and aspect ratios.

Continue reading 5 Wide Frames… From a wide lens with Kodak Ektar 100 (35mm Format / EI 100 / Mamiya RB67) – by Jeremy Mudd at EMULSIVE.

I’ve been shooting a lot of panoramic images over the last few years. There’s something about the wide 1×3 aspect ratio that really appeals to me.
I have a few different cameras that I use for this, but more often than not I am usually shooting them with my Mamiya RB67 ProSD with 35mm film in a 220 back. Shooting with the RB in this manner creates a double-wide 24mm x72mm image, and allows a great deal of flexibility by allowing to carry one camera with several backs for different film and aspect ratios.
Continue reading 5 Wide Frames… From a wide lens with Kodak Ektar 100 (35mm Format / EI 100 / Mamiya RB67) – by Jeremy Mudd at EMULSIVE.Read More5 Frames…, Articles, Kodak, Kodak Ektar 100, Mamiya, Mamiya RB67 Pro-SDEMULSIVE

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