5 Frames… Shooting Blues Night 1993 with Stan Webb and Chicken Shack on Kodak T-MAX 3200 (35mm Format / EI 3200 / Minolta X-300 + Tokina SD 70-210mm f/4-5.6) – by Olaf Lengler

In autumn 1993 it was time again. The annual Blues Night in the neighboring town of Idar-Oberstein was coming up. This time I also wanted to take pictures there. My…

EMULSIVE Interview #222: I am Kris Askey and this is why I shoot film

After an 8-month hiatus, I’d like to welcome you all back to the EMULSIVE interview. Yes, yes, 2020 be damned, etc. Last year was a challenging one for me and…

Exhibit your work in a Neil Dankoff Gallery, win a trip to Indonesia, and more!500px

Calling all photographers! 500px and fine art photographer Neil Dankoff have teamed up to give our community an exclusive opportunity to exhibit their work in a Neil Dankoff Gallery and…

New “contact print” Instax film from Fuji plus another underpowered toy camera, the Instax Mini 40

If you’re looking for a cheap point-and-shoot upgrade from Fuji’s last cheap point-and-shoot Instax camera, the company will gladly cover you as of just a few hours ago with the…

Seven photo activities you can do with the whole family500px

Mary Ellen Mark started using a Brownie Box camera at just nine years old. At thirteen, Francesca Woodman created her first self-portrait. Stanley Kubrick was the same age when his…

Venus Laowa 25mm f/2.8 2.5-5× Ultra Macro Lens Review

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5 Frames… Of ILFORD HP5 PLUS on a Werra I (35mm Format / EI 500 / Carl Zeiss Jena 50/2.8 Tessar) – by Victor Lefelman

The Werra I is an east german jewel of a camera, produced from 1954 until 1967 by Cal Zeiss Jena. Love at first glance is how it started for me;…

Landscape vs. portrait: What’s best for Licensing in the age of social media?500px

At the start of this year, the Special Covid-19 Edition of The CMO Survey revealed that social media spending increased to 23.2% of marketing budgets by June 2020, up from…

5 Frames… On original Fujifilm ACROS with a century-old Kodak Hawkeye No2 Model B (120 Format / EI 100) – by Simon Weller

Last year’s lockdown left me simultaneously busy with work and also with lots of time stuck at home I would not have normally had. The up and downsides of the…

Film stock review: Cinestill BWXX – by Simon King

I started writing this article in 2019 and left it as a draft for EM here for quite a while. The reason for this is that while I enjoy writing,…