Final Cut Pro X 10.4.9 adds ProRes Raw camera setting adjustments, improved vertical editing and more

Apple has released its latest update to Final Cut Pro X, bringing with it a number of new features, including the ability to finally adjust ProRes Raw camera settings.

Although it’s listed under ‘Other new features,’ one of the most welcomed additions in the update is the ability to adjust ProRes Raw camera settings, such as ISO, color temperature and exposure compensation in the new controls within the inspector.

These new options address what was a big hole in the ProRes Raw workflow with FCPX. We asked our own Jordan Drake of DPReview TV for his thoughts on these new additions and he had the following to say:

’Working with ProRes Raw was initially jarring, as it did not respond like other photographic or cinematic raw formats. White balance and ISO were not directly adjustable, and attempting to use the built in tools to simulate those adjustments often led poor colors or noisy shadows. This new update allows adjustments to white balance, exposure and ISO and will hopefully allow ProRes Raw to behave more like R3D Raw, or Apple’s primary competition Blackmagic BRaw. Camera manufacturers aside from Blackmagic seem to be moving towards ProRes Raw, so this added functionality will be a big benefit for many current and future cameras.’

Also new is an improved proxy workflow with the ability to generate proxy media in custom frame sizes (1/8, 1/4, 1/2, or full resolution), the ability to create proxies in either ProRes Proxy or H.264 and the ability to create a proxy-only copy of a library to reduce the size of a project.

It’s now easier to compose footage for use in vertical-preferred platforms, such as Snapchat, Instagram TV, TikTok and others.

Apple has also added a number of new social media tools within FCPX, including automated project transformation for square of vertical delivery via the new ‘Smart Conform’ tool, the ability to view footage outside the viewer boundary for easier composing in non-traditional formats, as well as custom overlays for guides and a new ‘Duplicate Project As’ option that works with the new ‘Smart Conform’ tool to make creating videos for multiple platforms easier.

For other minor feature updates and bug fixes, head on over to Apple’s changelog for FCP 10.4.9. The update should be available as a free update in the macOS App Store if you’ve already purchased FCPX.

Apple has released its latest update to Final Cut Pro X, bringing with it a number of new features, including the ability to finally adjust ProRes Raw camera settings.
Although it’s listed under ‘Other new features,’ one of the most welcomed additions in the update is the ability to adjust ProRes Raw camera settings, such as ISO, color temperature and exposure compensation in the new controls within the inspector.
These new options address what was a big hole in the ProRes Raw workflow with FCPX. We asked our own Jordan Drake of DPReview TV for his thoughts on these new additions and he had the following to say:
’Working with ProRes Raw was initially jarring, as it did not respond like other photographic or cinematic raw formats. White balance and ISO were not directly adjustable, and attempting to use the built in tools to simulate those adjustments often led poor colors or noisy shadows. This new update allows adjustments to white balance, exposure and ISO and will hopefully allow ProRes Raw to behave more like R3D Raw, or Apple’s primary competition Blackmagic BRaw. Camera manufacturers aside from Blackmagic seem to be moving towards ProRes Raw, so this added functionality will be a big benefit for many current and future cameras.’

Also new is an improved proxy workflow with the ability to generate proxy media in custom frame sizes (1/8, 1/4, 1/2, or full resolution), the ability to create proxies in either ProRes Proxy or H.264 and the ability to create a proxy-only copy of a library to reduce the size of a project.

It’s now easier to compose footage for use in vertical-preferred platforms, such as Snapchat, Instagram TV, TikTok and others.

Apple has also added a number of new social media tools within FCPX, including automated project transformation for square of vertical delivery via the new ‘Smart Conform’ tool, the ability to view footage outside the viewer boundary for easier composing in non-traditional formats, as well as custom overlays for guides and a new ‘Duplicate Project As’ option that works with the new ‘Smart Conform’ tool to make creating videos for multiple platforms easier.

For other minor feature updates and bug fixes, head on over to Apple’s changelog for FCP 10.4.9. The update should be available as a free update in the macOS App Store if you’ve already purchased FCPX.Read MoreArticles: Digital Photography Review (dpreview.com)

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